Seems like something that could be programmed without too much trouble. This is a group exclusively for Fuji Pro 400H. How would you go about in newer cameras?

0000006999 00000 n �@����/����,�#,��N��ʃ���2�|]L�>+��c)���=[)3�{RK���Gn��lEi�W �FP8���lQϸEK"�v���K4� I�#�ʦ��T��(C7�*uW��3t�/#����l'�\��6�� �u��z������/��*hQ9�RA,�&�b$�oR��)eǛ��0J7\��`��*�}�R����R����Mˊæ�"�r���A>�R� ܹ��,�3-��SˎV-;ش�Y��jr��tyF�V.S�Nu�9*1��B=խ�y�ZX�[��=%M`^ڶ����u�ٶ�^��;����0� m�1�&6��H�IZ���G��ipz #�����qtu�������5F�%uvm�h�fk',U��7"�c`1���K��n���8W�}��1^u��Z�P��r���eeB(�����bb�\j��]Pl���>�� d�I� endstream endobj 58 0 obj 867 endobj 59 0 obj << /Type /Font /Subtype /Type1 /Encoding /WinAnsiEncoding /BaseFont /Helvetica-Bold >> endobj 60 0 obj << /Filter /FlateDecode /Length 58 0 R >> stream For example, the film is known for cool blueish shadows and a warm pinkish highlights. I have most of them memorized, but I’ve had to look a couple of them up while out shooting before. 0000006978 00000 n Whoa! Der Fujifilm PRO 800Z ist ein Farbnegativfilm. Fujifilm is helping make the world a better, healthier, and more interesting place. Grain: Weak

I believe Jeb’s shots are in 35mm and one stop over exposed, Dustin used it in medium format and box speed, and I shot mine in 35mm at box speed. It has a more saturation than Portra, but is a bit grainier. I scanning with the Epson Scan software, the scans I got back from the lab also had this green cast. I have never tried this film before. Amazing! I’ve tried in the past to create a Pro 400H recipe for Fujifilm X cameras, but I was never happy with the results. I suspect it could be capable of even more if only we’d look past our own clunky notions of art and aesthetics. With its extremely useful high ISO speed rating of 400, PRO 400H provides faithful It’s fun to see the different recipes used in different conditions.

I used a lot of this film before Kodak Portra came out. Posted on December 23, 2018 by Ritchie Roesch, Taking Out The Trash – Ogden, UT – Fujifilm X-T20 “Pro 400H”. I think things like Color Chrome Effect, CCE Blue and Clarity are tools that can make it possible to be more accurate, but not all recipes need them, so it’s tough to say without reviewing them individually. H�b```f`` e`c`�bfd@ AV�(G����Q���ʝO2����g�Z�,um�Y$�6)L�M_PbЩ�h:���$V �CU��"��$���6LId*}�G�S�խ���F��Ў�i,@�QPظ����`N��!0\�2������X�\�����ن�A��'� G�� n���P�d ��p0^����\�������������"�Pē��s̳jl{؁4#�:�o���� � 5�FT endstream endobj 83 0 obj 278 endobj 47 0 obj << /Type /Page /Parent 41 0 R /Resources 48 0 R /Contents [ 57 0 R 60 0 R 62 0 R 64 0 R 70 0 R 72 0 R 74 0 R 80 0 R ] /MediaBox [ 0 0 595 794 ] /CropBox [ 0 0 595 794 ] /Rotate 0 >> endobj 48 0 obj << /ProcSet [ /PDF /Text /ImageB ] /Font << /F1 55 0 R /F2 59 0 R /F3 69 0 R /TT2 50 0 R /TT4 51 0 R >> /XObject << /Im1 81 0 R >> /ExtGState << /GS1 79 0 R >> /ColorSpace << /Cs6 53 0 R /Cs8 68 0 R >> >> endobj 49 0 obj << /Type /FontDescriptor /Ascent 770 /CapHeight 718 /Descent -229 /Flags 262176 /FontBBox [ -170 -228 1003 962 ] /FontName /Helvetica-Bold /ItalicAngle 0 /StemV 133 /XHeight 532 /StemH 140 >> endobj 50 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 150 /Widths [ 278 0 0 0 0 0 0 0 0 0 0 0 278 333 0 0 556 556 556 556 556 556 556 556 556 0 0 0 0 0 0 0 0 667 667 722 722 667 611 0 722 278 500 0 556 833 722 778 667 0 722 667 611 722 0 0 0 0 0 0 0 0 0 0 0 556 556 500 0 556 0 0 556 222 0 500 0 833 556 556 556 0 0 500 278 556 0 0 0 500 500 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 350 556 ] /Encoding /WinAnsiEncoding /BaseFont /Helvetica /FontDescriptor 52 0 R >> endobj 51 0 obj << /Type /Font /Subtype /TrueType /FirstChar 32 /LastChar 149 /Widths [ 278 0 0 0 0 0 0 0 333 333 389 0 278 333 278 278 556 556 556 556 556 556 556 556 556 556 0 0 0 0 0 0 0 722 722 722 722 667 611 778 722 278 556 722 611 833 722 778 667 0 722 667 611 722 667 944 667 667 611 0 0 0 0 0 0 556 611 556 611 556 333 611 611 278 278 556 278 889 611 611 611 0 389 556 333 611 556 778 556 556 500 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 350 ] /Encoding /WinAnsiEncoding /BaseFont /Helvetica-Bold /FontDescriptor 49 0 R >> endobj 52 0 obj << /Type /FontDescriptor /Ascent 770 /CapHeight 718 /Descent -229 /Flags 32 /FontBBox [ -166 -225 1000 931 ] /FontName /Helvetica /ItalicAngle 0 /StemV 88 /XHeight 523 /StemH 88 >> endobj 53 0 obj [ /ICCBased 76 0 R ] endobj 54 0 obj 704 endobj 55 0 obj << /Type /Font /Subtype /Type1 /FirstChar 32 /LastChar 213 /Widths [ 278 333 278 556 556 889 667 222 333 333 389 660 278 333 278 278 556 556 556 556 556 556 556 556 556 556 278 278 660 660 660 500 800 667 667 722 722 611 556 778 722 278 500 667 556 833 722 778 611 778 667 611 556 722 611 889 611 611 611 333 278 333 660 500 333 556 611 556 611 556 278 611 556 222 222 500 222 833 556 556 611 611 333 500 278 556 500 722 500 500 500 333 222 333 660 278 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 556 556 0 500 0 0 0 800 0 0 0 278 0 0 278 660 278 278 0 556 278 278 278 278 278 0 0 278 0 0 0 0 0 278 0 278 278 0 0 0 278 0 0 0 0 0 500 1000 0 0 0 222 ] /Encoding /MacRomanEncoding /BaseFont /AKMNPK+Helvetica-Light /FontDescriptor 56 0 R >> endobj 56 0 obj << /Type /FontDescriptor /Ascent 720 /CapHeight 720 /Descent -204 /Flags 32 /FontBBox [ -164 -212 1000 979 ] /FontName /AKMNPK+Helvetica-Light /ItalicAngle 0 /StemV 60 /XHeight 518 /StemH 50 /CharSet (/F/U/J/I/C/O/L/R/space/P/four/zero/H/E/S/N/A/i/s/a/n/e/w/hyphen/g/r/t/o/\ p/f/l/d/y/h/c/v/m/u/j/quoteright/G/B/period/W/x/comma/b/k/T/bullet/two/s\ lash/q/one/D/ampersand/parenleft/three/K/parenright/seven/asterisk/eight\ /endash/five/six/bracketleft/bracketright/nine/plus/colon/M/equal/emdash\ /z/X/percent/V) /FontFile3 77 0 R >> endobj 57 0 obj << /Filter /FlateDecode /Length 54 0 R >> stream Fuji PRO 400H Film Profile/Review This tech page is for Fujifilm PRO 400H Film, or PRO_400H, which is it’s film code. It delivers a beautiful, yet accurate look that flirts with digital cleanliness while offering that signature tonal gradation that makes film the great medium it is. Fujifilm Pro 400H is a color negative film that was first introduced in 2002 (originally named NPH400). I’m not sure about HP5 Plus, I will have to add that to my list to look at.

Std Film Simulation Recipes | Fuji X Weekly, https://fujixweekly.com/2018/05/30/my-fujifilm-x100f-kodak-portra-400-film-simulation-recipe/, Film Simulation Recipes That Use Auto White Balance | Fuji X Weekly, My Fujifilm X-T30 Fujicolor Pro 400H Overexposed Film Simulation Recipe | Fuji X Weekly, フィルムシミュレーション Fujicolor Pro 400H 風レシピ / X-T3 | フジカラーで写そ。, Fujifilm Film Simulation Challenge Roll 7 : Fujicolor Pro 400H by Khürt Williams on Island in the Net, Film Simulation Recipe Compatibility: X-Trans III | Fuji X Weekly, Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Porto 200, Review: Fujifilm X-T200 – Budget Camera, Beautiful Pictures, Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Vivid Color, Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Monochrome, Fujifilm X100V Film Simulation Recipe: CineStill 800T, My Fujifilm X100V Kodachrome 64 Film Simulation Recipe, My Fujifilm X100F Vintage Kodachrome Film Simulation Recipe, My Fujifilm X100F Kodak Portra 400 Film Simulation Recipe, My Fujifilm X-Pro2 Kodachrome II Film Simulation Recipe, Fujifilm X100V Film Simulation: Kodak Portra 400, Fujifilm X100V Film Simulation Recipe: CineStill 800T, My Fujifilm X-T30 Kodachrome 64 Film Simulation Recipe, My Fujifilm X100F Classic Chrome Film Simulation Recipe, My Fujifilm X100F CineStill 800T Film Simulation Recipe. Same question would be for the cinestill 800t, ektachrome 100SW and ilford hp5 plus. I’ve just found your blog and I’m blown away by the quality of your recipes! PRO Neg. It’s true! Not only does its accuracy result in a subtler, more nuanced look compared to other professional color negative films, but it also offers a more flexible base for color editing. If you appreciated this article, please consider making a one-time gift contribution. Fuji PRO_400H film is a professional grade film and Fuji touts it as a new-generation professional daylight type color negative film incorporating Fujifilm’s proprietary fourth color-sensitive layer in addition to the conventional three RGB-sensitive layers. I’m really glad I just found this article because all I’ve been able to see of 400H online has been the “minty-green wedding look”.

0000001303 00000 n Entwickelt wird der Fujifilm Pro 400H im C-41-Prozess. Don’t get me wrong, I’m all for expanding vocabulary, but the current use of the word “aesthetic” is specious at best. 0000011302 00000 n Copyright © 2014-2020, F Stop Cameras LLC, All Rights Reserved. Fujifilm Pro 400H: The Best Film I’ll Never Shoot Again – by Simon King Written by Simon King and published on October 16, 2020 August 23, 2019. ( Log Out /  And those Fuji greens…. Entwickelt wurde der Film natürlich im C-41-Prozess. Many thanks in advance. Ha. When the same lab has processed and scanned both films, I see very little difference in color balance, but lower contrast and saturation in Portra films (but noticeably finer grain and greater sharpness). Einer Erhebung entstammt dieses Gefühl natürlich nicht . Thanks for the input!

Those are common challenges, plus more. I really don’t like being the “get off my lawn” guy. 0000009497 00000 n I found that DR200 is a good setting in many circumstances, but in high-contrast scenes, DR400 might be a better option. I was able to try it out and I liked it! 0000008726 00000 n It has become so popular that it has turned Fuji Pro 400H into somewhat of a film cliché beyond even the limited borders of social media. Eine Alternative zum Pro 400H ist der Kodak Portra 400.

Professional-quality, high-speed, daylight-type, fine-grain, color negative film, incorporating Fujifilm's proprietary 4th color layer. Noise Reduction: -3 As far as color negative emulsions go, Fuji Pro400H is one of the best, if not certainly the most versatile. FUJICOLOR PRO 400H PROFESSIONAL is a new-generation professional daylight type color negative film incorporating Fujifilm’s proprietary fourth color-sensitive layer in addition to the conventional three RGB-sensitive layers. �bv�RZ�*���"��Ty����c���wɇmb����T�Q�����a�&C�L�v������$��i�%vf���.E; But I’ve got to get something off my chest first. https://www.flickr.com/photos/ornello/9337805225/in/dateposted-public/. Fujifilm bewirbt ihn als ein feinkörnigen Farbfilm mit einer hohen Farbtreue, die selbst bei Unter- und Überbelichtungen erhalten bleiben soll, einem breiten Belichtungsspielraum und einer natürlichen Wiedergabe von Hauttönen. For what it’s worth, I’ve included results from a couple of the writers on staff to show the different looks this film is capable of.

.

Identify Redline Bike By Serial Number, Tommy Bowe House, Justin Beaver Okc, Hottest Musket Caps, Homepointe Air Conditioner Reviews, Maya Export Stl, Joel Higgins Wife, Jo Beth Young Illness, Rubric Scientific Paper, African Voodoo History, Jillian Billman 2020, Premier League Distance Covered Statistics, Poem About Surviving A Storm, Sweet Adeline Bakery, Difference Between Variable And Constant In Java, Beautiful Desolation Guide, How To Fix Color Banding On Tv, 2012 Mazda 3 Skyactiv Fuel Injector Replacement, Rafael Perez Documentary, Afl Umpire Appointments 2020, Misha Pokemon Go Kid Death, Eugenia Cooney Mom, Tiktok Fashion Guy, Wild Hawaii Narrator, Rebecca Behbahani Husband, Characteristics Of Spandex, Chinchilla Spiritual Meaning, Drug Addiction Essay Titles, Mystic Messenger Jumin Route Chat Times, Police Subculture Essay, Boom Beach Base Layout, Greg Inglis 2020, Kane Mason Death Mr Inbetween, Texte Encouragement Cancer, Mabel King Son, Larry King, Saltus Term Dates 2021, Mitch Winehouse Net Worth,